Hannah Campion is a contemporary artist whose abstract practice is rooted in painting and expands into sculptural, spatial, and immersive forms.

Person creating colorful abstract graffiti art on a large white wall in an indoor space, with various splashes of paint on the floor.

" Hannah Campion, an artist who has a broad set of brushstrokes in the way colour and concept bleed into our lives through various means cascading, sculpting, injecting and immersing us within paradise like hues. You can feel a line of enquiry running throughout the work as if each piece feeds or is directly pulled, torn from the other in an ongoing investigation into colour and space."

Excerpt from curatorial statement - by Garth Gratrix, artist, curator, and the founder/director of
Abingdon Studios Ltd

Artist Statement

I am a artist, swimmer, and free diver — always.

Being underwater has shaped how I see, feel, and move through the world. The shifting light, the weightlessness, the quiet that holds you — these sensations stay with me long after I surface. They live in the body. They are where my paintings and installations begin.

My work translates the experience of immersion into colour, movement, and space. I think through water — how it bends light, distorts distance, softens sound. These qualities become the language of my practice: fluid edges, layered transparencies, surfaces that shimmer, shift, and respond to light and movement. Each piece offers a sense of suspension — a pause — inviting calm, awareness, and connection.

I grew up in industrial Teesside, surrounded by steelworks, vast skies, and dramatic, luminous light. That contrast — between heaviness and beauty, noise and stillness — continues to run through my work. I am drawn to materials that change as you move around them: pigments that flip with light, surfaces that feel alive. It matters to me that the work is not only seen, but experienced — walked around, entered, and felt physically.

In recent years, my life and practice have shifted profoundly. Becoming a mother, and later receiving diagnoses of ADHD and autism, changed how I understand my rhythms — my energy, focus, sensitivity, and need for recovery. These experiences reshaped my relationship with making. What once felt like limitation now informs the work itself: its pace, its attentiveness, its care. My practice has become slower, more embodied, and more honest.

This shift has deepened my interest in how art can support regulation, presence, and emotional wellbeing. In a world that often overwhelms the senses, my work responds by offering spaces that feel grounding and restorative — not as escape, but as reconnection. I want viewers to feel held by light, colour, and movement in the same way I am held by water.

The sea gives me a way to think about art, and about people. Both are fluid, alive, and constantly changing. My work exists at that meeting point — where the physical and emotional overlap, where colour can carry feeling, and where stillness has weight. I hope the work offers a moment of immersion, quiet energy, and sensory connection — and that it stays with you, long after you leave the space.

Ways to work with Hannah

A woman with long, wavy blonde hair, looking at the camera with a neutral expression, wearing a black and white striped top, standing against a colorful background with pink and purple lighting.

Commissions

Hannah works internationally on commissions for galleries, private clients, and institutions, creating site-responsive works shaped by colour, space, and architectural context.
→ Enquire about commissions

Public art & murals

Hannah works on large-scale public art and mural projects, developing colour-led interventions that engage with place, movement, and public encounter.
→ Discuss a public art project

Talks & panels

Hannah is available for artist talks, panels, and educational events, speaking about her practice, neurodivergent experience, process, and colour-led working methods.
→ Invite Hannah to speak

Studio visits

Studio visits are welcomed by curators, collaborators, and commissioners interested in learning more about the work and current directions.
→ Request a studio visit

  • Solo Exhibitions

    2018 The Rainbow Room, Park Road North, Middlesbrough

    2015 Yellow — I’m in the Corner with the Bluebells (commissioned for London Film Premiere)

    2012 Shift, Vane, Newcastle

    Selected Group Exhibitions

    2024 BEEP Painting Biennial (Long List), Swansea

    2023 The Open, Southwark Park Galleries, London

    2022 Jubilee, Vane, Gateshead

    2022 Holy Fluff Supermarket, Art Fair, Stockholm

    2019 Equinox Light Cure, curated by Sasha Burkhanova, Exposed Arts Projects, London

    2019 Miniscule Part 2, curated by Vanya Balogh, Venice

    2018 UN-NAMED 3, curated by Danny Rolph + Hannah Campion, Middlesbrough

    2018 BEEP Painting Biennial (Long List), Swansea

    2012 Works on Paper, curated by Michael Mulvihill, Kotti Shop, Berlin

  • 2024 BEEP Painting Prize — Long List

    2023 ANNE Grant Award (To Howard Hannah)

    2018 BEEP Painting Prize — Long List

    2016 Anthology Art Prize, Charlie Smith London — Long List

    2012 Rector’s Scholarship, Chelsea College of Art

  • Residencies

    2012
    Residency at Vane, Newcastle (linked to solo exhibition Shift)


    Special Commissions & Projects

    2023
    Revontulet (Northern Lights) — Special commission by Stellar Productions and

    Nightfall Festival. Film made in collaboration with Kev Howard (photographer) and Hannah Campion, working together as the Howard Hannah Collective.

    2015
    Yellow — I’m in the Corner with the Bluebells — Special commission for London Film Premiere


    Collections

    Chelsea Special Collections; AstraZeneca; Charnwood Borough Council; Smurfit Family

  • 2012–2013
    Chelsea College of Art — MA Fine Art (Merit) — Rector’s Scholarship recipient

    2000–2003
    Loughborough University — BA (Hons) Fine Art: Painting